Coming Out of the Shadow of David Foster Wallace’s Suicide
David Foster Wallace wrote the book that promised Generation X you could make demanding art and still be heard — and twelve years later, he was gone. JB Minton uses The End of the Tour, and the confession buried inside its late-night hotel-room scene, to ask what Infinite Jest actually warned us about, and why the warning outlived the man who wrote it. This is an essay about attention, fame, and the cost of being right too early.
We Live In Time (2024)
We Live In Time asks a question that shouldn't have a good answer: can you make a happy movie about a woman dying of cancer? JB Minton argues yes, if you understand what the film actually reveals through its scrambled timeline — that Almut's secrets, not her diagnosis, are what threaten to run out her time. The truth she's most afraid to say out loud isn't that she's dying. It's that she doesn't want to be forgotten.
The Last Dragon (1985)
The Last Dragon looks like a kung-fu movie, plays like a music video, and ends like nothing you expected — a romantic hero's journey where mastery is measured in devotion, not victory. I watched it fifty times as an eleven-year-old and didn't understand what it was teaching me until decades later, when I needed to know it.