SPRINGSTEEN: Deliver Me From Nowhere (2025)
Springsteen: Deliver Me From Nowhere isn't a comeback story — it's about the damage art does to an artist who isn't yet ready to carry it, and what it takes to stop running and let someone help carry it instead. JB Minton makes the case for a film about men taking care of each other, a father and son measured by a distance no map covers, and a night driven through in the dark until the music itself becomes the light. Watch it once, then watch it again later as a different person — and always put Nebraska back on.
Disclosure Day (2026): The Spielberg Film With No Villain
Disclosure Day hands you a cover-up, a company town's worth of secrecy, and a man who spent his life deciding ordinary people couldn't survive the truth — and still refuses you a villain. The only enemy in this film is ignorance, and the only way past it is remembering. This is a reading of Disclosure Day as the closing movement of a cycle Spielberg started fifty years ago at Devil's Tower, and of the moment a woman refuses the role a frightened crowd keeps trying to hand her: "I don't want to be anyone's religion.”